From pop comebacks to international acts finding crossover success to gorgeous ballads and irresistible dancefloor bait, was quite the year. Here are the songs we couldn't stop playing this year. Think the vulnerable voice of Nina Simone waxing poetic about the ills of millennial dating. Following in the footsteps of international kings like Burna Boy and WizKid, Rema's crisp, charming vocals float over a bouncy rhythm that blends Afropop and hip-hop to create three minutes and 15 seconds of sheer joy. Sex sells, but Rapsody has never been one to conform to hip-hop's misogynistic views of women. Angel Olsen's lush, throaty voice connects with an eerie, '80s-leaning production to create a musical masterpiece. One of the most ubiquitous songs of came from pop's newest power couple. Hate it or love it, Shawn and Camila make magic together. DaBaby covers common rap tropes, yes, but it's his signature breathless, rapid-fire flow matching the high-energy beats he cruises on that sets hi, apart from his contemporaries.
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Lizzo – Tempo (feat Missy Elliott)
You can listen to all songs that were voted for in our playlist. Mon 2 Dec M ore than 50 Guardian music writers were polled for their favourite albums and tracks of the year, and a bewilderingly complex spreadsheet was created to tally their votes.
The past and the future combined in , a year of satisfying comebacks from veteran artists and exciting breakouts from newer ones. Read the list below, with a Spotify playlist of all at the bottom. An unlikely combination of three very different alt-leaning acts, "I've Been Waiting" is far more seamless than it has any right to be, finding common ground in the artists' shared pop sensibilities. As it toggles between vocals from all three, it's impossible to tell where the verses stop and the chorus starts -- it's all hooks, really, a song where every part feels like That Part. In a more just world , this would've been the song to get the late Lil Peep his first Hot top 40 hit. Now please, get off his lawn. There are a lot of "what ifs" when a relationship ends, but the title of Lady Antebellum's latest heart-wrenching hit has to be one of the scariest. The song -- which recalls the same yearning tone as the country trio's breakout single "Need You Now" -- perfectly captures that fear of the unknown, thanks to Hillary Scott and Charles Kelley's hopeless harmonies.
Meanwhile, Latin pop, indie rock, country, and hip-hop kept evolving like crazy and producing exciting new voices, from rising Atlanta titan Da Baby to Aussie truth-sayer Stella Donnelly. These are the tracks that defined It sounds just as good as everyone remembered.